03 December 2010

December 2010

Bonjour mes amis,

In this issue of South of France Blues;
  • More on Hugh Lawrie Sings the Blues
  • Blues at the Crossroads : Robert Johnson Centennial Tour
  • The birth of Brit Floyd
  • Beatles, and Lennon's "I'm Only Sleeping", go on sale
  • A pardon for Jim Morrison?
  • Girls Just Wanna Have Fun with "Memphis Blues"
  • The best list of Blues concerts & gigs in France
  •  and more.


    So was that my psychic side coming out in my last blog? Not only has Warner Music Entertainment announced that Hugh Laurie’s debut blues album will be out in Spring 2011 but, Tom Jones will be one of his duet guests – I did mention Tom in the same paragraph as Hugh didn’t I?

    Tom Jones
    Well, it remains to be seen, or heard, what James Hugh Calum Laurie OBE will do to the blues but I’m not so sure he should have chosen Tom Jones to help kick start this epoch of his varied career. However, looking at the comments on his Facebook page the ladies seem to like the idea. Stay tuned.





    Sadly bluesman Albert "Little Smokey" Smothers passed away on Saturday 20 November 2010 aged 71. The talented Chicago guitarist had had a lengthy illness.
    Born in Tchula, Mississippi on 2 January 1939 he later moved to Chicago, on the heals of his big brother Otis "Big Smokey" Smothers (I assume there was just the two of them!!!). 
    Through the years Little Smokey accompanied Howlin' Wolf, Buddy Guy, Otis Rush, and Magic Sam - and a few others - both on stage and in the recording studio.
    Influential in helping Paul Butterfield form his blues band he also mentored Elvin Bishop, who later took his place in the band. This collaboration with Elvin Bishop led to the 2000 recording of "That's My Partner".
    Smothers final recording was in 2009 with "Chicago Blues Buddies", the proceeds from which went to help offset his growing medical expenses. R.I.P.

    Four years after she released any new music, the wait is finally over and if there was ever a song fitting for Amy Winehouse’s trials and tribulations it is Lesley Gore's 1963 hit ‘It’s My Party’. Laid down in April with Mark Ronson for a Quincy Jones tribute album, doubts may remain about the coherence of her wandering vocal but there's little denying its enduring aura, all dressed-up in the producer's typically authentic sound. But is this cover enough to rebuild her shattered career? I suspect it is back to black for Amy!


    Long known as the "devil's music," thanks to the legend surrounding bluesman Robert Johnson's alleged deal with the devil at a Mississippi crossroads, "Old Nob," as he's known, has become firmly identified with blues music. The devil is often just a metaphor used by blues singers to describe a cheatin' woman, a bad boss, or even the evil in the world, and not a literal being. Still, from his first appearance in Clara Smith's 1924 song "Done Sold My Soul To The Devil," the devil persists in the culture of the blues.
    Marking the 100th anniversary of the birth of Mr Robert Johnson is the “Blues at the Crossroads” tour starting January 2011 in San Francisco. On tour will be the “Two Man Wrecking Crew” of Cedric Burnside and Lightnin' Malcolm, original Delta bluesman (and friend of Robert Johnson) David “Honeyboy” Edwards, and the great Hubert Sumlin (former Howlin' Wolf guitarist).
    Winding its way through the States the “Blues at the Crossroads” tour is currently scheduled to complete in March 2011 in Urbana, Illinois. Other venues and dates may be added. If anyone is listening out there – don't forget us in Europe.
    Oh, I almost forgot, there will be an accompanying tour album – of course.
    Pink Floyd

    Yes, I know that Pink Floyd was not a blues band but there are blues links. The blues influenced Syd Barrett and, Gilmour's solo style is often characterised by blues-influenced phrasing. And, of course, the name was concocted by Barrett combining the names of Pink Anderson and Floyd Council when, in a blind panic, he had to find an alternative band name to The Teas Set – hence Pink Floyd was born. A miracle really. Can you imagine a band called The Tea Set making ‘Dark Side Of The Moon’ or ‘The Wall’? No, nor can I.

    Anyway, the Pink Floyd legend lives on with a handful of tribute bands and, arguably the best (up to now) is the Australian Pink Floyd Tribute Band (which I have had the pleasure to have seen play in Lisbon, Portugal in 2008). But, allegedly, a problem has occurred whereby the Aussie members of the band do not want to go on tour in the USA. Perhaps unknown to their American audience the band that they see during this major annual tour is made up almost exclusively of Brits and does not feature the Aussie artists at all. This, as you can imagine, has caused some problems that have
    resulted in the members that do tour the States forming a breakaway band called The British Pink Floyd Show (or Brit Floyd for short).

    Confused? Well, there’s more. The Brits have just completed their final USA tour as the Aussie Floyd band and they have returned to the UK and will re-appear as Brit Floyd ready to start their inaugural tour of the UK early in 2011.

    Willie Nelson has been charged with possession of pot. Apparently his tour bus was pulled over at a check-point set up in Sierra Blanca, Texas. The arresting officer said he could smell pot when he opened the door of the bus. Willie was held for a short while whilst he arranged a $2,500 bond.





    A three-day festival on the banks of Loch Ness, in the village of Dores, Scotland, during 10-12 June 2011 will headline Paolo Nutini.
    Festival director Jim King said: “We have always said that RockNess is about delivering the best performers. Paolo has proven across his two albums that he is the best act of his generation to come out of Scotland and he is way to becoming one of the very best acts in the world”.

    Just as many have celebrated John Lennon’s 70th birthday it has been announced that his hand written lyrics of "I’m Only Sleeping" will go on sale at Bonhams auctioneers. The lyrics, which he had written on the back of a letter chasing payment for a radio phone bill, are expected to raise between $400 – 560,000. The sale is on 15 December so you’d better get moving.

    Meanwhile iTunes have come to the end of a long and winding road and now have Beatles for sale on their web based iTunes Store. All 13 studio albums – from “Sgt. Peppers’s Lonely Hearts Club Band” to “Revolver” to “The White Album” are now available.

    During the first week of sales iTunes sold more than 2 million individual songs and more than 450,000 albums. “Abbey Road” was the top selling album and “Here Comes The Sun” the top selling single.

    Convicted of exposing himself, on stage, at a 1969 concert in Miami, Jim Morrison of the Doors may be pardoned.
    Gov. Charlie Crist, whose favourite Doors song is “Light My Fire”, has said that evidence maybe flimsy. Doors keyboardist Ray Manzareck said Morrison put a shirt in front of his crotch and wiggled his hand behind it. He briefly pulled the shirt away and said, “I just showed you. Did you see it?”
    Morrison was found guilty in 1970 of indecent exposure and fined $500 with a six month jail sentence. But he never did do the time. He was appealing his conviction when he was found dead in a bathtub in Paris in 1971. He was just 27 years old.
    Govenor Crist plans to ask Florida Cabinet members to support a pardon. “My heart just bleeds for his legacy and his family” says Crist.

    Marking the 40th anniversay of Jimi Hendrix’s death the box set of “West Coast Seattle Boy: The Jimi Hendrix Anthology” is on the shelf this month. Featuring four discs of previously unreleased material and alternate takes, they include a full disc of pre-Experience tracks recorded with Little Richard, the Isley Brothers, Don Covay and others.
    The box set also includes the documentary “Jimi Hendrix Voodoo Child” narrated by Bootsy Collins.
    Coming out on the same day are deluxe editions of “Jimi Hendrix Experience:BBCSessions”, Jimi Hendrix Blues”, and “Live At Woodstock”.
    Responsible for all this is Jimi’s sister Janie Hendrix who is president and CEO of Experience Hendrix.
    Janie says that next year will bring a documentary about Hendrix’s 1969 concerts at London’s Royal Albert Hall. “It’s kind of a day in the life of Jimi, how we put it together” she says of the project, which has been two years in the making.
    Gibson recently unveiled their “Top 50 Acoustic Guitarists of All Time” with Belgium born Django Reinhardt taking the number 1 slot. Robert Johnson made number 4, Jimmy Page was 17th, and Eric Clapton got in at 41 on the list.

    Being dead does not stop the wheels of commerce turning. “Hold My Hand”, a duet recorded by Michael Jackson and rapper-producer Akon went on sale this month. The song was first recorded in 2007.
    Sony will also release a 10 track album “Michael” (to include “Hold My Hand”) on 14 December. 
    Another new track “Breaking News” from the upcoming album has met with skepticism by some music critics and Jackson’s family members who are reported to have said that they do not believe the vocals on “Breaking News” really belong to the King of Pop.
    The Who are to perform alongside Jeff Beck, Blondie singer Debbie Harry and The Verve’s Richard Ashcroft in a charity concert to raise money for research into a little-known cancer treatment called Photodynamic Therapy (PDT). The stars will appear at the HMV Hammersmith Apollo, London on 13 January 2011.

    I've used this picture before and I just love it!
    And finally in the news, Rolling Stone Keith Richards is fed up with his junkie image.
    Talking about his book “Life” he said: “You get stuck with an image, part of the whole reason for the book was to dispel some of the junkie, dopey, rock and roll … it’s not like that at all. Hey, I can get crazy but I aint’t stupid”
    He also explains that he wrote to Tony Blair backing him in his decision to go to war in Iraq. Yep, Keith, you are well and truly stuck with the image!

    Back to Blues

    Some 40 years after meeting her hero, Cyndi Lauper got the opportunity to work with 85 years old B.B. King.
    Her first meeting with B.B. King was in the 1970’s when she was a student at Johnstone State College, Vermont, USA.
    Being a school radio DJ the Blues had made an enormous impression on her. So much so her latest, and 11th, album is “Memphis Blues”.
    Not many would have linked the pop queen with the mighty, talented, veteran King but their love of Blues has brought them together.
    Cyndi Lauper says that she has wanted to make a Blues album for more than a decade but has only recently found time to put everything together and get down to Memphis.

    The 12 tracks are gritty, in the style of a Beale Street blues singer jamming in smokey juke joints. Inspired by the Memphis Civil Rights Museum she says that Memphis was the only place to be to cut this album. It represents the crossroads in American culture and music. “I wanted to be in Memphis. I wanted to eat the food, breathe the air, see the sites, walk the walk.”

    Cyndi Lauper hooked up with Scott Bomar, a local musician and producer, who worked with Al Green and Charlie Feathers among many other local and national acts. He helped her assemble a “who’s who” of Memphis musicians to back her up on the album. In addition to Allen Toussaint, Ann Peebles, and Charlie Musselwhite, “Memphis Blues” also features the infamous Hi Rhythm Section and all-stars from Stax and Satellite Records.

    Charlie Musselwhite harps the blues in the first track “Just Your Fool”, and a trio of B.B. King, Allan Toussaint, and Cyndi Lauper provide an up-beat little song called “Early In The Morning”.
    Track 8 is a version of the classic “Rollin’ and Tumblin’” and features Ann Peebles. The more I play this the more I like it.
    It’s not earth shattering but is a good album to own. The girl has done good and – the girl has had fun !!!

    The best gig guide under the South of France sun:
    December

    02        The Honeymen                          Brasserie les Halles, Bordeaux (33)
    02        Fred Chapellier                          Salle Jean Vilar, Romans-sur-Isère (26)
    03        Nina Attal                                 Le Soubock, Cauville (14)
    03        Mannish Boys                            St Céré (46)
    03        The Honeymen                          Brasserie les Halles, Bordeaux (33)
    03        Cisco Herzhaft                           La Double Croche, Lisieux (14)
    03        Dr Feelgood                               Moonwalker, Aarburg (Switzerland)
    04        Mannish Boys                             Brive (19)
    04        The Honeymen                           Libourne (33)
    04        JJ Milteau                                  Théâtre Victor Hugo, Bagneux (92)
    04        Fred Chapellier                           Le Splendid, Lille (59)
    05        Nico Wayne Toussaint                 Sebastian, Florida (USA)
    08        Fred Chapellier                           Vienne (38)
    08        Cotton Belly’s                             Showcase Cultura, Villenave d’Omon (33)
    09        Cotton Belly’s                             L’Antidote, Bordeaux (33)
    09        Nina Attal                                  L’Entrepot, Issy-les-Moulineax (92)
    10        Malted Milk                                Le Cadran, Evreux (27)
    10        Connie Lush                               Queens Park Arts Centre, Aylesbury (UK)
    10        Nina Attal                                  Espace Athina, Saint-Saulve (59)
    10        Cotton Belly’s                             Lulu dans le Prairie, Merignac (33)
    11        Cotton Belly’s                             El Chico, Bordeaux (33)
    11        Connie Lush                               The Flowerpot, Derby (UK)
    11        Nina Attal                                  Espace Culturel l’Hermine, Sarzeau (56)
    11        Malted Milk                                Espace Culturel l’Hermine, Sarzeau (56)
    11        Dr Feelgood                               Eisenwerk, Frauefeld (Switzerland)
    11        The Honeymen                           Ergué Gabéric (29)
    12        Nico Wayne Toussaint                 Miami, Florida (USA)
    14        Nina Attal                                  Découvertes du Printemps, Le Nouveau  Casino (75)
    15        The Honeymen                           Chapeau Rouge, Quimper (29)
    16        The Experimental Tropical Blues Band    Rogers Bar, Belfort (90)
    17        Fred Chapellier                           Bar de Luc
    17        Mannish Boys                             Louisiana Club, Marseille (13)
    17        The Experimental Tropical Blues Band    La Vapeur, Dijon (21)
    18        The Honeymen                           l' Express Bar, Cognac
    19        Nine Below Zero                         The Musician, Leicester (UK)
    21        Nico Wayne Toussaint                  Delray Beach, Florida (USA)
    22        Rachelle Plas                              China Club, Paris
    23        The Honeymen                            Quimper (29)
    25        Nico Wayne Toussaint                  Jupiter, Florida (USA)
    31        Cotton Belly’s                              Festiv’an, La Selve (12)

    Don't forget; if you know of a great band playing a gig near you then drop me a line. Even better;  if you are playing in a great band tell me about it !

    Have fun, stay warm, and stay safe.

    A bientôt






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    20 July 2010

    Cahors Blues Festival - Day One


    So you couldn't get there eh? Well that's too bad. You missed something really good and you MUST MUST MUST make sure you are in Cahors next July. It truly is a great blues festival and I can say, from first hand experience, that I heard more good blues music in Cahors than I did in Memphis, Tennessee.
    If you did get there then I hope these ramblings will help you to re-live one of the best Blues festivals in France.
    Cahors is a majestic town built on a horseshoe bend of the river Lot which meanders leisurely through wide valleys and steep gorges eventually running into the Garonne.
    It’s architecture is typical of the region. It’s many narrow streets and secluded squares fashioned from its rich and varied history. Within the centre ville it cannot be much more than 20 or so paces between cafes and restaurants where one can while away an hour or so with a cafe crème or a cool beer, or enjoy some of the fine cuisine and excellent wines for which the region is famed. And, if that is not enough, there are dozens and dozens of interesting little shops selling everything from boutique cloths to local produce, or even a house if you like!
    Within the town the festival was extremely well advertised. Barely a shop or billboard did not display a poster listing the main events to take place during the week. However, a major omission was that none of advertising gave any clue to where the Blues Festival was to be held, and for this reason we missed the opening (free) show of Loïc Hula Boy. Bearing in mind that Hula Boy did not provide a highly amped show the only way that we found the 'Blues Village' was when we saw a display of perhaps a hundred Harley Davidson’s, and being drawn to these, we then saw the entrance to the concert area.
    Very fortunately we did not miss the second act on a very hot and humid (35c) Saturday evening. For, what did not sound too inspiring in the programme turned out to be a cracking performance by young Vicktor Huganet.
    Saturday 10 July
    Viktor Huganet (French)
    My initial reaction to Viktor, as he went about preparing for the off, was that he looked like a nice boy with early George Michael bleached streaks in his hair and a chin as smooth and fair as a baby’s bum. In no way was I prepared for an exceptional performance by an all round good rocker. Although I was pretty impressed with his Gretsh White Falcon semi-acoustic guitar. Very nice.
    Supported by a Max Headroom look alike on drums and a resistance fighter on bass they did look an odd bunch .... but a very good odd bunch they were. A definite 'son of Setzer'!

    The label said he sounds like Eddy Cochran and ‘just like Eddy’ he was, punching out song after song from the late 60’s / early 70’ in a style that could have matched the King himself. "Jeannie Jeannie Jeannie", "Mystery Train", "That's Alright" and stuff I have forgotten because I was having such a good time. All three are fully competent musicians who clearly enjoy what they do. As I looked around the audience it was hard to find anyone who was not foot tapping or clapping to the many songs that were so good to hear again and so good to hear done well.
    Well done Viktor - a real good rocker – I’ll definitely get to see you again.
     

    Malted Milk (French)
    Malted Milk are a blues band I had noticed, and read about, on the Dixie Frog Records site and one that I had marked as a ‘must see’. From the hand of Robert Johnson, and then popularised by Mr Clapton, Malted Milk is a classic blues track - and these boys did the name proud.
    First of the paid shows, and to start at 9pm, the setting sun did not provide any relief from the heat that radiated from the ground, the walls, the railings, even the air that seemed in short supply. Fortunately the beer, at 2 euros a plastic beaker, was ice cool. Yeh!!!
    Three guitars (lead, rhythm, and bass), keyboard, drums, and a couple of brass (sax and trumpet) supplied the sound with Arnaud Fradin (also lead guitar) and Yann Cuyeu (rhythm guitar) providing most of the vocals.
    The band work well together and, at the same time, interact with the audience during their powerful, first class, two hour session.
    The mix of Mississippi, Chicago, and West Coast blues were all given an added ingredient – Malted Milk – and I really was very disappointed when their time was up.
    Although each and every one of the band gave a brilliant performance, in my opinion, worthy of special note was the drummer Gilles Delagrange who I thought was inventive whilst still providing a deep pulsing beat with enviable concentration. The final beat of the show drained the last of his massive energy, running down his arms and into the battens, whereby he simultaneously let go of the sticks and sprang up and in the same motion made strides away much in the same way a weight lifter would do after just completing his record lift – needing to wind down such tremendous physical and mental energy.
    Now marked as a ‘must see again’.

    Popa Chubby (USA)
    The late night show, sponsored by Harley Davidson, was the man that fills the stage with his size and presence. When he entered on stage I took a double take cos’ he looked just like my mate Tank wearing a spotted tea-cloth on his head!
    Popa opened the show with an elongated version of  “Hey Joe” – a brilliant track which set the scene for what was to come – and during which he became a fountain of perspiration that burst from him at the same rate as his repertoire of heavy rock music. A bikers dream!
    Improvisation in music is what makes Blues so diverse and interesting, enabling the artist to put his soul into his sound, but I do find some over extended versions difficult to follow and I loose the drift of the original tune. Yes, I may be a pleb but at the same time, I was left in no doubt whatsoever that this man Popa Chubby knows how to squeeze every note known to man out of his well worn guitar.
    A big show by a big man.

    Loads more to come - keep looking .................
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    01 May 2010

    May 2010

    Bonjour tout le monde,


    This month we have;
    • David ‘Honey Boy’ Edwards, and,
    • Joe Bonamassa
    Also, in Brittany this month we have the Trieux Tonic Blues Festival being held in the seaside village of Lèzardrieux (22) in the Côtes d’Amor no less. It’s only on for two nights but is packed with good stuff. The amazing, and award winning, Connie Lush will be there with her Blues Shouter. Other acts will be the Cotton Belly’s – loads of fun, just brilliant and a not to miss are Blackberry’n mr Boo-hoo. In May, in Brittany, what could be better? Spend your days sampling the famous Breton galettes or some of the best seafood you will ever find, and wash it all down with Breton Coreff beer or the local cider. They even have their own whisky called Kornog!












    Or, if you really want to spend mega euros Mr Slowhand himself is on tour with Mr Steve Winwood and will be at the Bercy Arena, Paris. I’ve seen Clapton and Winwood on the TV and the show looks and sounds everything it should be. If anyone out there has a spare ticket, let me know first!

    Whats On?

    May


    13   Dr Pickup with Eric Larmier is at La Casa 28, Rueil Malmaison (92)


    15   Connie Lush & Blues Shouter are at the Trieux Tonic Blues Festival, Lezardrieux (22)


    15   Cotton Belly’s are at the Trieux Tonic Blues Festival, Lezardrieux (22)


    15   Blackberry’n mr Boo-hoo are at the at the Trieux Tonic Blues Festival, Lezardrieux (22)


    20   Amar Sundy is at Angoulême, Charente (16)

    25   Eric Clapton and Steve Winwood are at Bercy Arena, Paris


    June


    09   Mark Knopfler is at POP Bercy, Paris


    26   Eric Bibb is at Chambery, Savoie (73)


    July


    04   Stevie Wonder is at Arena de Nimes, Nimes, Gard (30)


    09   Al Green is at L Olympia, Paris


    10-17 Cahors Blues Festival, Cahors, Lot (46)


    27-01 August   Cognac Blues Passions, Cognac, Charente (16)

    Blues Note



    In my March (2010) post I featured Mr Pinetop Perkins who, at 97, is still playing and touring. This month I want to talk about a younger bluesman, Mr David “Honeyboy” Edwards.




    Just 95 years old Honeyboy Edwards is another of a very depleted club of the last of the true Mississippi Delta bluesmen.


    On 11 March 2010, at B.B. King’s Blues Club, New York City, he was recognised with a Lifetime Achievement Award from The National GUITAR Museum, the first such institution dedicated entirely to the instrument. In addition he has won the 2005 and the 2007 Handy Award for Acoustic Blues Artist.


    Along with Pinetop Perkins these are the last of the links with legends like Robert Johnson, Charlie Patton, Memphis Minnie and many more.


    His website calendar indicates that he no longer tours outside of the USA and Canada (can you blame him?) but he still manages about 20 shows a year. Perhaps more than anyone, this man is keeping the legend alive.

    CD Review



    A very good friend, known to me as Tank, recently gave me Joe Bonamassa’s “The Ballad of John Henry” which was released in 2009 on the Provogue label.

    I must confess that up to now I have had mixed feelings about young Joe. I saw him at the Havana Club, Toulouse a couple of years ago and he definitely put on a great show. Without a doubt his guitar playing skills were impressive but, was it blues? Was it supposed to be blues? Certainly he created something very different to the old Delta Bluesemen I have written about over the past few months. Blues-rock I think it is called and I’m comfortable with that label. For me it fits this exciting, full on, evolution of music.

    "The Ballad of John Henry" is Bonamassa’s seventh studio album and follows his 2007 release, Sloe Gin. This latest album includes seven of the twelve tracks written by Bonamassa himself and really do emphasise his growing songwriting skills.


    The title track is somewhat psychedelic in style with a good solid beat that will get your foot pounding the boards. Setting the mood for the the more Claptonesque blues ballad “Stop”.


    I particularly like “Lonesome Road Blues”. Its everything I like about Bonamassa. Good gritty vocals and skilful fretwork. The same applies to “Happier Times” but in a more sombre mood. A very powerful track that will compliment your high tech sound system. Turn the sound up and enjoy.


    Up to now it would have been hard to surpass Nina Simone with her version of “Feeling Good” but Joe has recreated this 1964 classic with his own style but without losing any of the original flavour. Brilliant.


    The “Great Flood” was not that great for me although a definite contender for weeping guitars and “From The Valley” is a short experiment with the orient.


    Finally, the final track “As The Crow Flies” takes us firmly back into the rock genre.


    The Ballad Of John Henry confirms Joe Bonamassa’s place as the most talented, and most exciting, guitarist, singer, song-writer of his generation. In his work one can hear strains of Santana, Beck, Rea, and Clapton, and now reaches for ‘Bonamassa is god’ status.


    Thanks to friend Tank I can now add this great album to my collection but, had he not been so kind and generous to me, I would have bought Ballad of John Henry anyway.


    Finally, if like me you don’t know, John Henry is an American folk hero who was supposed to be the strongest man alive (in 1840) and who raced against a steam powered hammer whilst working as a slave on the Chesapeake and Ohio Railway. He won his race but died still holding his 20 pound hammer. Excellent blues material don’t you think?

    Bluesman Mississippi Slim



    Sadly, Walter Horn, Jr. - "Bluesman Mississippi Slim" – passed away on 14 April 2010 at the age of 66 years.


    Walter Horn was born and grew up in Greenville, Mississippi. As an adult, he worked on a plantation as a tractor driver during the day and sang the blues in local clubs at night. By 1968, he had decided to take a shot at blues music as a career, and moved to Chicago where he became known as "Mississippi Slim." In a city full of flamboyant, charismatic performers, Slim stood out with his brightly coloured hair, loud suits, and trademark mismatched, colourful socks.


    The bluesman returned to Mississippi in 1994 to spend time with his ailing mother, but continued to sing the blues, performing at Delta juke-joints and at Southern festivals. Slim also took part in the "Blues In The Schools" program, speaking to schoolchildren about blues music. Mississippi Slim recorded sporadically through the years, releasing a few singles during the 1970s, finally issuing a full-length album, You Can't Lose The Blues, in 2008. Although he wasn't the best known of blues singers, Walter "Mississippi Slim" Horn, Jr. will be missed by family, friends, and fans of his unique soul-blues sound.






    A Bientôt

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    01 January 2010

    January 2010

    Talking the Blues
    There is very little that I could add to the heaps that have been written on the origin of the Blues. Without doubt it has a remarkable part to play, not only in terms of modern music, but also in the culture we now live in.

    The Blues not only formed the base for Rock & Roll, and then R & B, but has strong links with Jazz and, of course, Gospel music. Early Blues was also the voice of Civil Rights movements throughout the southern states of America, and reflected the conditions of everyday life, the feelings and humour that helped people endure those conditions, and the long struggle for equality and freedom.

    It is fabulously amazing that, from it's roots in Africa, the Blues is now performed and appreciated in practically every country and within almost every culture on this planet.

    The Blues is truely the heart and soul of modern music and it is quite impossible to think of how music would have developed without it. In my small way I wish to help keep that great legend alive.

    Better still Max D. Spiegel, Publisher, The Mudcat Café wrote:
    "The Blues is very simply the purest form of Art that I have yet witnessed on this earth. Its meaning and history are something that are very nearly evidence of divine intervention. For such beauty from such pain, is magic, is glory to the human spirit. How strong it is, how it can find joy in misery, how it always has hope. Glory to the powers of creation and the reasons for it. Glory to the men and women that gave it to us. Men and women that you will see on this page. Men and women that should never be forgotten, for their example is a needed one. This project is in service to the preservation of American History, the History of Music, and the strength of humankind."

     
    Blues Note
    It is impossible to to talk about the Blues without talking about Mr Robert Leroy Johnson (8 May 1911 - 16 August 1938).
    Robert Johnson was a gifted singer, guitarist and songwriter whose style has influenced a broad range of musicians, including Muddy Waters, Led Zeppelin, Bob Dylan, The Rolling Stones, Jeff Beck and, of course, Eric Clapton who has called Robert Johnson "the most important blues singer that ever lived" and has dedicated an album to him; Me and Mr Johnson released in 2004.
    Mr Johnson is known to have recorded only 29 songs before his death, at the age of just 27, in 1938 and, there exists only two photographs of him. His short but productive life is shrouded in mystery. He was known to be spontainious and, even, reckless jumping on freight trains just to see where they would take him. For him the Blues spoke of good-time women and big-shot gamblers, and he was to die, murdered, by a jealous husband or maybe a jealous girlfriend, while performing at a juke joint near Greenwood, Mississippi.
    Listen to the lyrics of "Hell Hound On My Trail" - is he singing about his own lifestyle? Then listen to the marvelous "Sweet Home Chicago" which further expresses the feelings of this brilliant but insecure father of the Blues. A true legend whose music continues to influence and entertain us more than 70 years after his nimble fingers plucked their last chord.
    If you want to know more about this incredible man see the The Robert Johnson Blues Foundation. Their aim is to ensure that Robert Johnson's legacy and the delta blues heritage continue into the future by recognizing and assisting young blues musicians through the New Generation Award.


    Artist of the Month
    This section will normally be dedicated to artists playing in, or having a connection with, the South of France. However, it is winter in these parts and not a lot is going on, but I will endeavour to introduce you to some great musicians in the coming months.
    So, I would like to feature a young lad I have seen busking in the city of Cambridge, England. His name is Jack Luskin (Jack, if I've got your name wrong please let me know), and he sits on a corner of the market square in the city centre. Twice I have listened to him play his guitar, hooked up to a battery amp, and both times it was freezing, but his music was clear, bluesy, and beautiful. A real talented artist who I guess is only about fourteen (sorry if I got that wrong too). Hopefully I will see him play somewhere warmer in the future so I can listen a bit longer. If you are ever in Cambridge, with a big warm coat, check him out. He is good.

    What's Going On?
    As I said, there ain't a lot happening down here at the moment. At least, not a lot that I know of. However, a couple of don't miss events for 2010 are:
    I'll give you more details on these and other great events nearer the time. Meanwhile, if you know of upcoming gigs let me know.

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    In future issues of South of France Blues I intend to bring you local artists, and review clubs and bars. A hard job but I really must do it!

    Thanks for reading.



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